1953年，界首彩陶首次走进中国美术馆，其精湛的工艺技术、独特的民间风格、引人入胜的戏剧叙事形式和文化内涵，引起了社会和业界专家学者的广泛关注。

In 1953, Jieshou Colored Pottery took center stage at the China Art Museum for the first time, capturing the attention of both the public and art experts alike. Its exquisite craftsmanship, distinctive folk flair, and vivid opera-inspired narratives brought an ancient tradition into the modern artistic conversation. Jieshou's debut stirred the art world, its vibrant forms and intricate carvings turning heads and winning hearts.

（图为刀马人陶艺酒坛，图片以整版篇幅被刊登在《人民画报》）

(Picture on the left: A wine jar with "armed horseback figure" pattern , celebrated with a full-page feature in "People's Pictorial.")

1959年，著名画家吴冠中创作《鸡冠花》。璀璨的鸡冠花，新鲜而灿烂，清新而自然。画中质朴的插花瓶即为界首刻花戏剧人物纹陶器。

In 1959, the famed painter Guanzhong Wu immortalized Jieshou pottery in his painting, "Cockscomb Flower."  Amid the brilliance of the flowers, the unassuming vase stands out with its understated elegance. This rustic vessel, carved with opera-themed motifs, is a Jieshou masterpiece, embodying the seamless blend of natural beauty and cultural depth. In Wu's hands, the vase becomes more than a mere container; it is a bridge between art forms, a testament to the enduring legacy of Jieshou pottery.